A visualisation of three trips — a trip I take every day, a trip for a good day, and a trip that takes a day.

Proposed poster series for RISD Artist Ball, under the theme of “Head in the Clouds”. Based upon the ever-changing view from an airplane window, where your head is, literally, in the clouds.

Graphic and web design for Better World by Design's 2023 conference, under the theme of “Ripples”. Created conference graphics adhering to a design system and developed website using Webflow and code. Motion by Jin Kim.

Experimenting with Eadweard Muybridge’s The Horse in Motion (1878).

An accordion book comparing the lives of two Japanese designers, Tadanori Yokoo and Kenya Hara, alongside important World and Art/Design Events. Typeset in PP Editorial New, Neue Haas Grotesk.

Dot-to-dot posters for the Experimental and Foundation Studies Triennial, celebrating the diversity and synthesis within RISD's first year EFS program. Colours and patterns reference the architecture of the Waterman Building, home to the EFS department.

Photobook featuring a selection of black-and-white film photography taken and processed by me. White toner printed on black paper, french fold binding with partial dust jacket.

CMYK-based poster and ticket design for Boston University’s annual celebration of printed matter.

The Nature of Light is an ideated pop-up exhibition designed to illuminate the concept of light and optical phenomena. Through colouring a set of postcards (that also piece together to form a flipbook animation of the visible light spectrum), visitors have a chance to learn all about sun dogs, circumzenithal arcs, tangent arcs, and 22° halos. All images composed in Illustrator. 24"x36" poster & double-sided riso printed postcards.

What would light sound like if it were sound, and what would sound look like if it were light? Although different in many ways, light and sound both result from the interactions of particles and waves. Pre-recorded video of sunlight upon the Providence River is scanned by an algorithm coded in Max/Jitter, which then assigns synthesized sound to a position in ambisonic space. The azimuth and elevation of the sound is determined by factors such as brightness and position of light within the video frame. The piece is interactive through the use of a Korg MIDI controller by which qualities of the synthesized sound can be adjusted, making every performance unique.

First performed and recorded with the 25.4 loudspeaker array in RISD’s Studio for Research in Sound and Technology. Best listened with headphones in a quiet space.

A personal colour library based on memories of sunrises from home. Housed in the form of a website that slowly gradiates through all 101 colours in 30 minutes, the length of an average sunrise. Open it here, leave for a while, and come back for a surprise.